‘Attendance Is Mandatory’ – Young and the Restless, s46, e83 evoke Sheryl Crow’s “If It Makes You Happy”

and The Restless on Wednesday, December 27, 2017, Nick and Chelsea have a discussion much paralleled by the song “If Makes You Happy.”

On The Young and The Restless on Wednesday, December 27, 2017, Nick and Chelsea have a discussion much paralleled by the song “If Makes You Happy.”

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Young-and-Restless-family-company-business-23sc-12-27-2017

At this point in their relationship, as Eddie Arnold in the Green Acres tv show, Nick is more interested in building a house on the outskirts of Genoa City. As Zsa Zsa Gabor, Chelsea is more interested in staying in the city penthouse to which she has grown comfortable and built memories.

“Do-It-Your-Own Project” by Nick Newman, Family Man Mirrors Peter Gabriel’s song “D.I.Y.” |Young and Restless, s46, e82

There is a beauty to doing things yourself, building things with your children.  If there is one thing that Nick has learned from his dad Victor is being close to your sons and guiding their character takes precedence over anything in life.

The Young and the Restless on December 26, features Nick Newman the father trying to put together a Christmas his sons Connor and Christian.  As Nick gets frustrated with not being able to put together the toy “without an engineering degree,” his sister, Victoria, who may know him better than anyone in the Newman family asks, “Did you read the directions?” That would be everyone’s house on Christmas!

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Peter Gabriel wrote a song in 1978 called D.I.Y. where he says in a tone that is more enthusiastic than angry in the England’s English slang far than (American) English.

There is a beauty to doing things yourself, building things with your children.  If there is one thing that Nick has learned from his dad Victor is being close to your sons and guiding their character takes precedence over anything in life.

 

 

Lyrics make my head hurt but a Perfect Groove Never Disappoints.

I have never changed a music purchase based with tempo itself as a motivational elemenrpt💯

The best songs hit me in the gut, viscerally.

I’ll usually like a song or not based on

1) liking the initial bodily pull from the harmonic rhythm;

2) liking the melodic sounds

3) liking the harmonic choices

4) liking the sonority.

Speed is something that rules music, Burt I have never changed a song in my of purchases based on tempo. All music I measure is purchased. I thank YouTube and WordPress firewall allowing recording embeds, borrowed never stolen. I’m a 40 year musician – I get it. Also a lawyer, thus being disbarred for stealing and REO Speedwagon hit? No thanks! Live ya Kevin Cronin, so know I bought everything I listened to before checking out GREAT performances from all the fantastically generous artists on YouTube💯💯💯.

I *have* thousands of purchases based obj whether I like the way that tempo is being used. I own every Pat Metheny Group, Genesis and Dave Matthews Band song. In the end, Carter Beaford of the Dave Matthews Band has been there most underrated musician alive since 1992!

♥️🌐🔹

/774ms/

Gordon Lightfoot, Sundown

I’m not sure what happened when Google married WordPress.

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Going Back – written by Carole King for Phil Collins. Median probable speed charts, video.

Carole King wrote a song for Phil Collins. It is called Going Back.

Carole King wrote a song for Phil Collins. It is called “Going Back..”

Phil-Collins-Going+back - tempo-map - bpm-scan --meanspeed_music_diagram_0517_3.jpg
Going Back -Phil Collins – Matherton Diagram 0121
Phil-Collins-Going+back - tempo-map - bpm-scan --meanspeed_music_diagram_121_2.jpg
Going Back -Phil Collins – Matherton Diagram 0409

 

Here’s To You, Mrs Robinson – unclassified tempo map

The image featured on this tempo chart is from Judith Chapman as Gloria Bardwell on The Young Abd The Restless

Simon and Garfunkel wrote Mrs. Robinson for the film The Graduate 61AD1877-B4E5-41FA-A91A-2C9D19FE5487

The image featured on this tempo chart is from Judith Chapman as Gloria Bardwell on The Young and The Restless

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Spiron

Tomorrow Never Knows / modern tempo map

“Tomorrow Never Knows” (128). Slightly faster tempo, similar insane, lurching drum beat. Completely different mood, I know. But the beats sort of line up, in a weird way.

From “Notes on the ravings of Jim Deluva”, now that Jim has left New Jersey and is working in undisclosed location #22.

I told him that I was working on trying to get the drummer in my “too old to get on stage” garage band as it beats working out in a gym, pounding tom-toms!

The words of James came after the suggestion that if Ticket To Ride by the Beatles precedes a song, and he could play the next song, or decide which song to play in a band like Daryl Hall and friends

“Ticket To Ride”. The drumbeat is INSANE. It lurches and never locks into a straight groove until the bridge, where it starts and stops again. It isn’t exactly in the pocket – I.E.: it would be difficult to notate those tom-tom upbeats.

Personally, I would segue into “Tomorrow Never Knows” (128). Slightly faster tempo, similar insane, lurching drum beat. Completely different mood, I know. But the beats sort of line up, in a weird way.

No one speaks with both the authority and open-mindedness of a Deluva while you know he may be thinking, “Dude, how did they even let you into this studio!”

Given his unduly harsh reputation, I asked him when he left his Princeton if he would lend his expertise to a website where his knowledge would give me some ideas to work with that would give my ideas wider use.

/ias/