"She will never learn the most necessary, most difficult and principal thing in music, that is time, because from childhood she has designedly cultivated the habit of ignoring the beat." Letter to Leopold Mozart (24 October 1777)
Bruce peaked with this song in 1984. Gary and I got into a D.C. show with, uh, V.I.P. tickets, though we were not the original people scheduled!
Fantastic tour, Bruce in 1984.
Whenever I think of the joy of a new life, it is very often that the Stevie Wonder classic “You Are The Sunshine Of My Life” comes into my focus.
Whenever I think of the joy of a new life, it is very often that the Stevie Wonder classic “You Are The Sunshine Of My Life” comes into my focus.
While working on the patent, I was asked by the government for $350 to keep a trademarked name on which I had made no money. I hadn’t tried to make money – that wasn’t the point of the trademark.
This is a chart that was not classified, then after my brain aneurysm I realized my images were disorganized and some that were unclassified had become part of a patent.
While working on the patent, I was asked by the government for $350 to keep a trademarked name on which I had made no money. I hadn’t tried to make money – that wasn’t the point of the trademark.
Anyway, I let it lapse. After the aneurysm, my priorities didn’t change very much insofar as my wanted to show how the speeds of the classic pop-rock songs were played. I make sure these charts are accurate.
Never do I fool myself that the speed is way third in importance to the melody and the harmony, and even the timbre. That said, the simplicity of what I noticed to be patterns have yet to be acknowledged by anyone with a real name in a real place.
Here Comes The Sun by the Beatles is one of the most difficult measurements I have done, with only “Bohemian Rhapsody” and “Stairway To Heaven” more difficult.
There is an enthusiasm throughout that song that though Bruce and his love interest aren’t what we would call today “rich”, life was pretty damn good driving around freely on hidden backstreets at night just being with people you liked.
Yesterday the writers at the Young and the Restless used the American suburb term “backstreets” in a way Bruce Springsteen did when he wrote about the streets of New Jersey.
There is an enthusiasm throughout that song that though Bruce and his love interest aren’t what we would call today “rich”, life was pretty damn good driving around freely on hidden backstreets at night just being with people you liked.
One of the most enthusiastic songs and videos of the late 20th century was a-ha’s “Take On Me.”
It is known as one of the “truly great pop songs” of the era. This video is the great story of the song –
No comment I read in public said it better than this on YouTube® –
“The interesting thing here is that the song was composed before they even met Morten, and still it appears to be written exactly for his vocal range There are very few singers who have volume and expression across more than two octaves. The riff and the refrain were created independently from each other but still it all fits together so nicely and organically.”
The song Grey Street was performed by the Dave Matthews Band in Central Park New York City only ONE time.
The diagram as a median tempo guide is pretty accurate, but you have to listen to the rhythm section groove to “get” the rhythm as a whole.
Eleven years plus since LeRoi died and this song makes me appreciate hime almost more than any other.
matherton coffee and cream staff
MY CITY WAS GONE by The Pretenders features the beast groove that has been featured on at least Rush Limbaugh’s broadcast every day for 30 years.
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