"She will never learn the most necessary, most difficult and principal thing in music, that is time, because from childhood she has designedly cultivated the habit of ignoring the beat." Letter to Leopold Mozart (24 October 1777)
Genesis’ song No Son Of Mine modern tempo map illustrates how speed and music interact
The song Supper’s Ready by Genesis was written by bandleader Peter Gabriel during a manic episode. The rest of the band, Tony Banks, Phil Collins, MIke Rutherford, Steve Hackett filled out the rest of the parts.
The 10,000 Maniacs recorded this song in New York City as part of the MTC series called “Unplugged.”
The 10,000 Maniacs recorded this song in New York City as part of the MTV series called “Unplugged.”
This tempo map “Time Of The Season,” The Youngbloods, is unclassified an matherton tempo map featuring a contemplative Joe Biden, Democratic nominee for President Of The United States.
This tempo map “Time Of The Season,” The Youngbloods, is unclassified an matherton tempo map featuring a contemplative Joe Biden, Democratic nominee for President Of The United States.
Good luck and good health and happiness, Joe!
While working on the patent, I was asked by the government for $350 to keep a trademarked name on which I had made no money. I hadn’t tried to make money – that wasn’t the point of the trademark.
This is a chart that was not classified, then after my brain aneurysm I realized my images were disorganized and some that were unclassified had become part of a patent.
While working on the patent, I was asked by the government for $350 to keep a trademarked name on which I had made no money. I hadn’t tried to make money – that wasn’t the point of the trademark.
Anyway, I let it lapse. After the aneurysm, my priorities didn’t change very much insofar as my wanted to show how the speeds of the classic pop-rock songs were played. I make sure these charts are accurate.
Never do I fool myself that the speed is way third in importance to the melody and the harmony, and even the timbre. That said, the simplicity of what I noticed to be patterns have yet to be acknowledged by anyone with a real name in a real place.
Here Comes The Sun by the Beatles is one of the most difficult measurements I have done, with only “Bohemian Rhapsody” and “Stairway To Heaven” more difficult.
One of the most enthusiastic songs and videos of the late 20th century was a-ha’s “Take On Me.”
It is known as one of the “truly great pop songs” of the era. This video is the great story of the song –
No comment I read in public said it better than this on YouTube® –
“The interesting thing here is that the song was composed before they even met Morten, and still it appears to be written exactly for his vocal range There are very few singers who have volume and expression across more than two octaves. The riff and the refrain were created independently from each other but still it all fits together so nicely and organically.”
To me this song has a feeling of deep bittersweetness – an America hiraeth.
What do you think the Eagles are trying to express?
Last night I dreamed in an interview format.
I liked the interview, imaginary though it is, better than any discussion I could add to Neil Diamond’s classic LOVE ON THE ROCKS.
This is all a dream, transcribed:
Me- Neil, when you wrote the classic 1970s love ballad Love On The Rocks, tell us man, was that a true story, a play on a true story, or was it a song made especially for the movie the Jazz Singer”?
Neil- How about all three? [chuckles] Seriously, that was a song I wrote after a true break up. Many of my fans, as you know, ask me that question, and no, I will not say which actress I am talking about. See, right there, yes, the song was about a breakup with an actress I had dated 10 years before. My heart was broken at the time, dude.
Me- It does not sound like a down and out ‘Whoa is me’ ego-crushing love admission.
Neil- Ah. Funny you should say that because after she had dumped me – like, this woman crushed me like a grape man. And it’s not like I wasn’t still beating back women of all kinds with a proverbial baseball bat – guess that brings up scenes of domestic violence these days – but in modern parlance, when the woman who savagely destroyed my ego who I sing about in Rocks, well, you should have heard the stuff I was writing around the time.
Me- Can you give me an example, or us, you don’t mind of I publish this, do you?
Neil- Publish away! Jesus, with this streaming, I need all the hype I can get! [laughs] I wrote Rocks only *after* getting into a pretty solid, well, solid for Neil D, and that’s pure monogamy of over a year. I was finally happy and I wrote Rocks, which is a song I had to sing as though I were a little sad – when I was happy! [chuckles] Wrote that song for my nephew Morty Diamond after he got dumped by a woman and felt that pain: broken heartedness that is way more intense than any love stuff that may have been going on.
Me- Did it help your nephew?
Neil- Oh, not at all. That was a huge mistake on my part. There I am, Mr. Big, Mr. Diamond, telling him how to feel, just get over his woman and get a new one.
Me- What is wrong with that?
Neil D- Simple, and this is not bragging – my shows had 3, 4 hundred women back stage, and that was with my wife’s permission right through the 1993 tour. And I’m singing to Morty, Love On The Rocks was one of my most memorable ballads, sorta earned nothing but scorn from Morty who didn’t have thousands of woman to pick from on any night! [hard laughter]
Me- What is your favorite line from that song?
Neil- I dig that question. In this song we’re talking: Bridge. I am truly proud of the section, “First they say they want you, plead how they really need you, suddenly you find you’re out there, walking in a storm! And when they really have you, then they really have you, nothing you can do or say, you’ve gotta leave just get away, we all know the song!” That is a lesson to me, really – my fans tell me: “Neil D, we listen to LOTR when we are happy, not sad.”
Me- What happens if you listen to this song when you’re sad?
Neil- I don’t believe in listening to music when you’re sad. Now that I’m over 40, I can admit that when I’m sad, I watch tv, call an old friend, whatever, then if I’m out of a sad mood, then music. On tour, of my rare moods of sadness on stage – and I’m blessed that way – I am one happy man on stage, always have been – ask any musician who tells you otherwise and they disagree? You tell them to call Neil D! We musicians are musicians for that purpose! We are almost always happy on stage – even when our ‘loves on the rocks’, if you excuse the double use.
Me- Not at all. Thank you, Neil.
Neil- Thank you. And keep your love hot like coffee, heck, iced coffee is okay, but when you need good coffee like good love, it is always good when it’s hot.
Me- That sounds like a new song right there!
Neil – [grabs a guitar]
Then I woke up.
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