"She will never learn the most necessary, most difficult and principal thing in music, that is time, because from childhood she has designedly cultivated the habit of ignoring the beat." Letter to Leopold Mozart (24 October 1777)
Gypsy is a song by Fleetwood Mac’s Stevie Nicks, with help for an unforgettable guitar outro solo from Lindsay Buckingham (who never plays with a pick!)
Gypsy – Fleetwood Mac – moderm tempo map
Gypsy is a song by Fleetwood Mac’s Stevie Nicks, with help for an unforgettable guitar outro solo from Lindsay Buckingham (who never plays with a pick!)
This is Bruce Sringsteen in his ULTRA-PRIME – Prove It All Night at Passaic NJ – brought to us then by John Sher!
Bruce Springsteen and the E Street band
Bruce Springsteen and the E Street band 0409
Of the thousands of public online comments, I found MrMaiden321’s to be a fine representation.
MrMaiden321 said:
“I am 53 yrs old….my brothers who is 13 yrs older than me came home one day in the 70’s w the Born to Run 8 track…we listened to it together…he said…you mark my words Jane…hes gonna b BIG someday….i have been hooked since that warm Summer day when i was 12….i,never let go….MY BOY has gotten me thru the hardest times in my life…i listen to him everyday for 42 yrs…..n when i say…MY BOY….ANYONE WHO KNOWS ME KNOWS I AM TALKING ABOUT THE ONE N ONLY…..THE BOSS!!”
“… with the eyes of one who hates for just being born.” As good as it gets.
“An absolute classic. I’ve seen Bruce 12 times in England, Wales and in the USA, but this is the one song I’ve never seen him do. Will be in Cardiff on July 23rd, so fingers crossed.”
“This is a real beauty! Great video! Tonight tonight the strips just right baby! Yeah”
Speaking of which, since hypersensitivity regarding gender has already ruined comedy temporarily, and Melodyne and autotune have temporarily dulled music by taking the blues out of it, let us not ruin everything!
Follow You Follow Me, Genesis
One year when I was going to Genesis concerts I thought: when the girls say. “Oh, they’re going to play the song that all the girls like,” I kinda knew from playing so much Genesis in public places that women did like this song a lot. [Now there are 60 genders or something, so one can’t say that anymore – just a way people used to speak.]
The reason there are so many musical recordings is that we all respond differently to everything we hear.
Us and Them is a song written and recorded by the members of the band Pink Floyd.
Pink-Floyd-Us-And-Them-contemporary-tempo-map
I searched in several places online for a way for Jim Deluva and his band, “The Jim Deluva Cover Boys” to imitate the sound to perfection at a bachelor party they are playing tonight.
Jim is in the driveway – cool. I had told him, “Dude, you should have been able to find a chart my uncle posted a long time ago.”
“I know, dude, I know – can’t find it. I want you to listen to the ride pattern on the cymbal I worked out, anyway. It’s 4 over 3s over 4s – kind of a Phil Collins thing – and Roger and Phil never liked each other, so I want you to hear it.”
Us and Them, Pink Floyd – harmonic tempo map Us and Them, Pink Floyd – harmonic tempo map
Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends on my mood?
Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends on my mood?
Full disclosure, I love these three as songs of civil dusk. I have been blessed enough to listen and watch all three bands perform the songs that way, as can be seen in the links below.
Are the songs better
a) in their live versions;
b) in their studio versions;
c) it depends on my mood.
Full personal disclosure again: to me, I usually like these songs better at night, though my mood upon listening usually takes over. Nothing to brag of, I know! How about you?
I compose morning Episcopal music. The musicians on this page? THANK YOU 👉🏽❤️❤️❤️!!! It is an interesting thing to take a Martin Luther or Ralph Vaughn Williams or Martin Luther hymn and change some of the 1600s harmonies into 2018 harmonies. Hint: fewer diminished seconds, more 9ths in place of same. In some keys, as C, the major 3rd is a harsh interval as the E, to allow for equal temperament, stretches toward the perfect 4th, the dreaded F.
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