"She will never learn the most necessary, most difficult and principal thing in music, that is time, because from childhood she has designedly cultivated the habit of ignoring the beat." Letter to Leopold Mozart (24 October 1777)
So much has been said about this particular performance of the song JEREMY by Pearl Jam that to add more words toopinion would just be making fewer words.
As far as I know these are the only accurate tempo numbers for the song, but who counts?
/mh/
According to Dave Matthews’ introduction of this song from a version recorded with Tim Reynolds at Luther College, “#41” was the “Forty-first single that was recorded by the Dave Matthews Band.”
According to Dave Matthews’ introduction of this song from a version recorded with Tim Reynolds at Luther College, “#41” was the “Forty-first single that was recorded by the Dave Matthews Band.” He went on to mock himself, “about as creative as the Dave Matthews band,” but went on to record one of the best versions of the many DMB is smart enough to sell from many venues – so that his band and their families and the roadies and techs and suits, they get their share. Dave and his band got into music at about he final time that music was centralized enough for one voice to be heard.
Dave-Matthews-number-41-tempo-diagram-1
Once when I saw Phil Collins play this in concert a man had to be taken off on a stretcher for having an asthma attack before the drum fill on this song ever occurred. Enthusiasm taken to the limit, as when the Baltimore Ravens used this song as their psyche up song during the Ray Lewis era.
Collins play this in concert a man had to be taken off on a stretcher for having an asthma attack before the drum fill on this song ever occurred. Enthusiasm taken to the limit, as when the Baltimore Ravens used this song as their psyche up song during the Ray Lewis era. Phil had a style ‘tease’ style similar to the way Melissa Etheridge highlights or song. I’ve seen this played 10 times in concert and every time filmmakers it look like he’s not quite going to make the drums *that* time. Just as in Melissa Etheridge’s “Come to my window”, you hear her hit the challenging high note, (yes, *that* one),
song “Love Is Blue”, a classic pop 20 c. French instrumental, classic minor keys at lustful speeds stuff, as The Momma’s and the Pappa’s California Dreamin’
Phil Collins “In the air tonight”
Speed=94 3/5 bpm
Average quarter note=640 ms
Melissa Etheridge
“Come To My Window”
Average quarter note=663.3 ms
Speed=97.4 bpm
median speed 
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